From left, Vic Stafford, Jason Shannon, Jeremy Gilbertson and Ben Holst.
From left, Vic Stafford, Jason Shannon, Jeremy Gilbertson and Ben Holst.

Next time you watch television, close your eyes and really listen to the commercials.

If the spot is for the Braves, Hawks, Krystal hamburgers or Baskin Robbins — what you’re hearing is the audio work of Tunewelders, a music creation and sound production company. Their projects include commercials, films, musicals, theme songs, video games and more.

“There are a lot of music and audio challenges our clients don’t know how to solve, but we help them figure it out,” explained Ben Holst, Tunewelders producer and creative director.

Housed at the iconic Atlanta Southern Tracks studio on Clairmont Road, where artists from Bruce Springsteen to Pearl Jam have recorded, Tunewelders continues to produce sonic perfection. With beautifully tuned rooms, a collection of microphones, musical instruments, and both vintage and modern recording technologies, Tunewelders is more than a studio, it’s a service.

The four-man team — executive producer Jeremy Gilbertson, Holst, composer and technologist Jason Shannon, and chief engineer and sound designer Vic Stafford — are sought after in music, film, television and advertising industries due to the depth and breadth of their expertise. If you’re one of 200 million viewers who watched the 2013 Super Bowl, you’re sure to remember the standout Doritos spot, “GOATS4SALE,” in which Pogo Pictures vision was enhanced by Tunewelders sound.

Most projects start with the client’s idea.

“Sound design is often recording something on the fly and manipulating it. Instinct takes over,” Holst said. Once, to create the sound of a skim boarder 50 yards away for a Weather Channel piece, Holst recorded the light scraping of a credit card across the top of his arm to be in sync with the action on the screen.

“Ice cream doesn’t make a distinct noise,” Holst joked, but Baskin Robbins’ agency 22 Squared wanted audio to evoke a “Spidy sense” of amplified hearing as the viewer seemingly flew over large images of scooped ice cream. Holst recorded the sound of dropping ice cubes into a hot cup of coffee to simulate freezing motion. Jason Shannon then layered this sound into a convolution reverb to draw out the requested sense of cold space.

To hear Tunewelders’ latest project, check out Dad’s Garage Theater Company’s new musical, “King of Pops: A Post-Apocalyptic Musical.”

The show is performed every Thursday, Friday and Saturday evening through May 30 at the 7 Stages Theatre in Little Five Points.
Mike Schatz of Dad’s Ensemble has created a whimsical musical about Atlanta’s popsicles and rainbow cart. It’s his imagined story of founder Steven Carse, who leaves the corporate world and faces battles of epic proportions to pursue doing what he loves. Carse approved the main idea and then gave Schatz space to spin this tale.

Outside of the theater world, Schatz is the creative director for Blue Sky Agency.

“Ben and I collaborate on a lot of commercial projects,” Schatz said. So, he reached out to Holst and Shannon to compose and produce the music for his play. This was an easy choice since “Tunewelders also pursues what they love.”

“Mike would sing his original lyrics into his iPhone, and we would take it from there,” Holst explained. Holst and Shannon would build the songs layer by layer and continually tweak them to suit each character, then each cast member, and finally the stage.
“Jason transformed my songs into symphony pieces, giving them depth and size they needed for the show. He made my humming sound much better,” Schatz reflected.

For Tunewelders, each project is often a “walk of faith” from idea to the actual produced music. It’s a process in phases that always includes client collaboration and pride in the final production. With the growing entertainment industry in Atlanta, these guys are sure to stay very busy.

For more about Tunewelders, visit

–By Clare S. Richie